Atomos Sumo 19" HDR Monitor Recorder - AMT # ATOMSUMO19

Product Code - AMT # ATOMSUMO19
  • Atomos Sumo 19" HDR Monitor Recorder

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    Next Day UAE Delivery 
    3-5 Working Days all over the world
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Highlights

    • 1920 x1200 Touchscreen Display
    • 10-Bit FRC Monitor Processing
    • 4K HDMI and 12G-SDI Inputs/Outputs
    • 1200 cd/m² Brightness
    • HDR Mode with 10-Stop Dynamic Range
    • High Bright Mode for Rec. 709 Viewing
    • 4K up to 60p / 1080p up to 240 fps
    • 10-Bit 4:2:2 ProRes & DNxHR Encoding
    • 12-Bit Raw Recording from Select Cameras
    • Records to 2.5" Master Caddy Media
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BUILT FOR PRODUCTION
Rugged construction. Flexible mounting
The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.

QUAD SDI & HDMI 2.0 IN/OUT
Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.

PROFESSIONAL RECORDING
12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60
Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.

MONITOR. SWITCH. RECORD
Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback
Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.

XLR MONITOR & RECORD
Balanced XLR Monitor & Record with 48V Phantom
Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.

HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING
1200nit 19” calibrated 1920x1080 monitor
The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.

 

Specifications::

SPECS:
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1200nit (+/- 10%)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI Quad link 4 x 3G SDI* or up to 12G single link SDI
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
SDI to SDI 720p 50/60, 1080i 50/60 
1080pSF 24/25/30 
1080p 24/25/30/50/60/100/120 
2160p 24/25/30/50/60
Video Signal Conversion
HDMI to SDI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120/200*/240*
2160p 24/25/30/50/60
Supported Codecs & Frame Rates (Record & Playback)
Raw Record Sony FS5/FS7^^/FS700 CDNG
4K DCI; 24/25/30p 
4K UHD; 
2K; 24/25/30/50/60/100/120p 
1080; 

Canon C300MKII/C500 CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080;

Panasonic VaricamLT / Varicam35* CDNG
4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 

Arri Alexa Mini .ARI*
2880x1620; 24/25/30/50/60p 
2880x2160; 24/25/30/50/60p 

Raw to ProRes / DNxHR Sony FS5/FS7/FS700 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50/60p 
4K UHD; 
2K; 24/25/30/50/60/100/120/200/240p 
1080; 

Canon C300MKII/C500 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30p 
4K UHD; 24/25/30p 
2K; 
1080; 

Panasonic VaricamLT / Varicam35* 
ProRes (HQ, 422, LT) 
DNxHR (HQX, HQ, SQ, LB)

4K DCI; 24/25/30/50*/60p* 
4K UHD; 24/25/30/50*/60p* 
2K; not supported in camera 
1080; not supported in camera

Video to ProRes / DNxHR 
(DNx utilizes a .MOV wrapper)
Codecs 
Apple ProRes HQ, 422, LT
AVID DNxHR HQX. HQ, SQ, LB

Frame rates 
4K DCI; 24/25/30/50/60p 
4K UHD; 24/25/30/50/60p 
2K; N/A 
1080p; 24/25/30/50/60/100^/120^/200/240p 
1080i; 50/60i 
720p; 50/60p
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback (Not available in RAW)
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI 12ch 48kHz 24-bit
Audio 2ch balanced XLR analog in/out (direct XLR connection)
Dynamic range >90dB
Max signal level +24dBu
Max analog gain +52dB
48V Phantom Power for Mic
Headphone Out 3.5mm
Built-in Speakers Yes
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Other LANC control - Slave
Playback
Playlist / Genlock / LTC Yes / Yes / Yes
CDNG (Recorded content) No support
ProRes (Recorded content) All recorded files can playback. Playback in slow motion >= 100fps
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion >= 100fps
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. 
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
Atomos Sumo 19" HDR Monitor Recorder