BUILT FOR PRODUCTION Rugged construction. Flexible mounting The Aluminium alloy chassis with built-in armor houses ten mounting points around the top/bottom/side, a rear panel VESA mount and an included stand for a variety of mounting configurations. Alongside of the XLR connections for power and balanced audio, there is a 3.5mm stereo headphone jack and built-in speakers. The optional mounting plates connect dual V-Lock or Anton Bauer batteries work in tandem with our patent pending continuous power system. This allows batteries to be hot swapped to ensure you are never without power in the field.
Daylight -viewable 1920x1080 IPS screen capable of stunning 1200nit brightness
Ability to display a wide range of 4K and HD sources.
Flexible power V-Lock or Anton Bauer battery plates and Mounting options - standard VESA
Set optimal exposure when exposing for Rec.709 aor HDR material
Pre-installed and multiple custom LUTs for creative looks can be stored and displayed on the Sumo19M
Full range of exposure and composition tools; waveform monitoring, zebras, 1:1 and 1:2 magnification, peaking, false color, vectorscopes, anamorphic desqueeze and frame guides.
Upcoming features Capability of recording Hybrid Log-Gamma (HLG) HDR output of cameras like the Sony FS5, Z150 and Panasonic GH5 directly to Sumo with the correct metadata flags embedded into the Apple
ProRes or Avid DNxHR .MOV files - October 2017 Switching: Live Swith and record up to four channels for Sumo - not SumoM. Switch between feeds on screen with cueing cross fade and hands cut.
QUAD SDI & HDMI 2.0 IN/OUT Seamlessly connect any SDI or HDMI device and convert between HDMI 2.0 and SDI (3G QuadLink/6G/12G) in any combination. Quad SDI inputs connect cameras with multiple 1.5 or 3G SDI outputs without the need for converters. HDMI 2.0 supports up to 4Kp60 input/output along with the very latest Atomos open protocol that supports HDR automation including importing of camera settings. There is also support for Genlock and LTC timecode.
PROFESSIONAL RECORDING 12-bit Raw, 10-bit ProRes/DNxHR up to 4Kp60 Capture the RAW output from Sony FS5/FS7/FS700, Canon C300MKII/ C500 or Panasonic Varicam LT over SDI up to 12-bit 4Kp30 as CDNG or 10-bit Apple ProRes / Avid DNxHR up to 4Kp60 / 2Kp240 depending on the camera’s capability. The processing power of Sumo preserves pristine quality direct from the sensor with data rates of up to 3.2 Gbps.
MONITOR. SWITCH. RECORD Live Switch and Record up to four 1080/60p channels, 4 x ISO record and playback Make working with multi-cam a breeze. Switch and mix a live record and stream or record 4 x HD ISO recordings using the QuadLink SDI connections. Switch between feeds on screen with cueing, cross fade and hard cuts from the locked sources or tag and adjust final edits with advanced metadata tagging preserving ISO feeds, with the desired final result infinitely editable.
XLR MONITOR & RECORD Balanced XLR Monitor & Record with 48V Phantom Eliminate the need for a separate audio recorder by using the full size XLR connections to connect and power external microphones for balanced analogue audio with dedicated meters and adjustments for frame delay and gain. 48V phantom mics or line level audio are all seamlessly synchronized for the most advanced audio feature set in a monitor today. There is also a 3.5mm stereo headphone jack and built-in speakers for on set instant immersive review or complete internal recording review anytime anywhere with clients or production team.
HIGH BRIGHT FOR REC709 OUTDOOR SHOOTING 1200nit 19” calibrated 1920x1080 monitor The extremely bright 1200nit display means you can accurately monitor, even when outside in full daylight. Additionally, for the ultimate low light performance an optional hood is available. The simplicity of AtomOS means its only a single tap on screen to bring up focus peaking, 2:1/1:1 zoom, Zebra, False Color, Frame guides, SMPTE Safe Area, Waveform, RGB parade, Vectorscope, Anamorphic desqueeze and a flexible 3D LUT implementation to upload your own LUTs as .cube files.
Supported Log formats
Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C, Panasonic Vlog, JVC JLog, Red LogFilm